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🔗 Dogs 🔗 Japan 🔗 Public Art 🔗 Japan/History

Hachikō (ハチ公, November 10, 1923 – March 8, 1935) was a Japanese Akita dog remembered for his remarkable loyalty to his owner, Hidesaburō Ueno, for whom he continued to wait for over nine years following Ueno's death.

Hachikō was born on November 10, 1923, at a farm near the city of Ōdate, Akita Prefecture. In 1924, Hidesaburō Ueno, a professor at the Tokyo Imperial University, brought him to live in Shibuya, Tokyo, as his pet. Hachikō would meet Ueno at Shibuya Station every day after his commute home. This continued until May 21, 1925, when Ueno died of a cerebral hemorrhage while at work. From then until his death on March 8, 1935, Hachikō would return to Shibuya Station every day to await Ueno's return.

During his lifetime, the dog was held up in Japanese culture as an example of loyalty and fidelity. Well after his death, he continues to be remembered in worldwide popular culture, with statues, movies, books, and appearances in various media. Hachikō is known in Japanese as chūken Hachikō (忠犬ハチ公) "faithful dog Hachikō", hachi meaning "eight" and the suffix -kō indicating affection.

🔗 United States 🔗 Military history 🔗 Disaster management 🔗 Military history/North American military history 🔗 Military history/United States military history 🔗 Terrorism 🔗 New York City 🔗 Military history/World War I 🔗 New Jersey 🔗 Public Art 🔗 New Jersey/Hudson County

The Black Tom explosion was an act of sabotage by German agents to destroy U.S.-made munitions that were to be supplied to the Allies in World War I. The explosions, which occurred on July 30, 1916, in the New York Harbor, killed four people and destroyed some $20,000,000 worth of military goods. This incident, which happened prior to U.S. entry into World War I, also damaged the Statue of Liberty. It was one of the largest artificial non-nuclear explosions to have ever occurred.

🔗 Georgia (U.S. state) 🔗 Public Art

The Georgia Guidestones are a granite monument erected in 1980 in Elbert County, Georgia, in the United States. A set of 10 guidelines is inscribed on the structure in eight modern languages and a shorter message is inscribed at the top of the structure in four ancient language scripts.

The monument stands at an approximate elevation of 750 feet (230 m) above sea level, about 90 miles (140 km) east of Atlanta, 45 miles (72 km) from Athens, Georgia and 9 miles (14 km) north of the center of the city of Elberton.

One slab stands in the center, with four arranged around it. A capstone lies on top of the five slabs, which are astronomically aligned. An additional stone tablet, which is set in the ground a short distance to the west of the structure, provides some notes on the history and purpose of the guidestones. The structure is sometimes referred to as an "American Stonehenge". The monument is 19 feet 3 inches (5.87 m) tall, made from six granite slabs weighing 237,746 pounds (107,840 kg) in all. The anonymity of the guidestones' authors and their apparent advocacy of population control, eugenics, and internationalism have made them a target for controversy and conspiracy theory.

🔗 Religion 🔗 Central Asia 🔗 Archaeology 🔗 Visual arts 🔗 Buddhism 🔗 World Heritage Sites 🔗 Religion/Interfaith 🔗 Public Art 🔗 Afghanistan 🔗 Sculpture 🔗 Hazara

The Buddhas of Bamiyan were two 6th-century monumental statues of Vairocana Buddha and Gautama Buddha carved into the side of a cliff in the Bamyan valley of central Afghanistan, 130 kilometres (81 mi) northwest of Kabul at an elevation of 2,500 metres (8,200 ft). Carbon dating of the structural components of the Buddhas has determined that the smaller 38 m (125 ft) "Eastern Buddha" was built around 570 AD, and the larger 55 m (180 ft) "Western Buddha" was built around 618 AD.

The statues represented a later evolution of the classic blended style of Gandhara art. The statues consisted of the male Salsal ("light shines through the universe") and the (smaller) female Shamama ("Queen Mother"), as they were called by the locals. The main bodies were hewn directly from the sandstone cliffs, but details were modeled in mud mixed with straw, coated with stucco. This coating, practically all of which wore away long ago, was painted to enhance the expressions of the faces, hands, and folds of the robes; the larger one was painted carmine red and the smaller one was painted multiple colors. The lower parts of the statues' arms were constructed from the same mud-straw mix supported on wooden armatures. It is believed that the upper parts of their faces were made from great wooden masks or casts. The rows of holes that can be seen in photographs held wooden pegs that stabilized the outer stucco.

The Buddhas are surrounded by numerous caves and surfaces decorated with paintings. It is thought that the period of florescence was from the 6th to 8th century AD, until the onset of Islamic invasions. These works of art are considered as an artistic synthesis of Buddhist art and Gupta art from India, with influences from the Sasanian Empire and the Byzantine Empire, as well as the country of Tokharistan.

The statues were blown up and destroyed in March 2001 by the Taliban, on orders from leader Mullah Mohammed Omar, after the Taliban government declared that they were idols. International and local opinion strongly condemned the destruction of the Buddhas. Some Taliban sources credited Omar's decision to blow up the Buddha statues to the growing influence of Osama bin Laden.

🔗 Public Art 🔗 Textile Arts 🔗 Graffiti

Yarn bombing (or yarnbombing) is a type of graffiti or street art that employs colourful displays of knitted or crocheted yarn or fibre rather than paint or chalk. It is also called wool bombing, yarn storming, guerrilla knitting, kniffiti, urban knitting, or graffiti knitting.